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Reviews of Fujifilm X-S1

Testseek.com have collected 47 expert reviews of the Fujifilm X-S1 and the average rating is 84%. Scroll down and see all reviews for Fujifilm X-S1.
Award: Editor’s Choice February 2012
February 2012
 
(84%)
47 Reviews
Users
(92%)
177 Reviews
84 0 100 47

 

Reviews

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  Published: 2012-06-18, review by: popco.net

  • Abstract:  대형 EXR CMOS 센서와 빼어난 성능의 후지논 렌즈, 클래식한 디자인과 감성적인 조작으로 대표되는 후지필름의 프리미엄 X 시리즈. 그 중 X-S1은 특유의 디자인과 고 배율 줌 렌즈, 강력한 성능 등 전통적인 하이엔드 디지털 카메라의 모. ...

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  Published: 2012-11-13, review by: steves-digicams.com

  • If you miss the days of the old 35mm SLR film cameras, you're not alone. They were bulky, you had to set up a lot of the features by hand, but they still were a lot of fun to use. There's just something about having a sturdily built camera in your hand...

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  Published: 2012-10-05, Author: Jim , review by: pcmag.com

  • 26x manual zoom lens. Excellent control layout. Sharp EVF. Hot shoe. Raw shooting support.
  • Expensive. Very large. Slow to start up. Slightly soft images
  • The Fujifilm X-S1 is as big and as expensive as an SLR, but packs an amazing 26x zoom lens and excels at low-light shooting....

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(80%)
 
  Published: 2012-05-23, review by: buy-n-shoot.com

  • It really excites me to see that traditional camera bodies are coming back into the marketplace and at affordable prices. Whilst the X Pro 1 is more expensive than other options it is certainly not overpriced when you consider the sensor, image qu...

 
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(80%)
 
  Published: 2012-04-01, review by: digital-photography-school.com

  • Quality: I found the test shots to be way above average in colour accuracy and sharpness.Why you'd buy the Fujifilm X-S1: the 26x zoom appeals; full control of your exposures… and I mean full!Why you wouldn't: too heavy and large for your needs; too many...

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  Published: 2012-02-09, review by: photographyblog.com

  • With the new X-S1, Fujifilm have produced the ultimate super-zoom bridge compact camera, with a long list of desirable features, intuitive user interface and excellent image quality. The only real drawback is the price-tag, which puts the X-S1 up agai...

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(90%)
 
  Published: 2012-01-31, review by: whatdigitalcamera.com

  • Best in class images, best in class viewfinder, great stabilisation system, manual zoom and focus rings
  • Sensor issues with specular highlights, autofocus won’t rival a DSLR, on/off issue on occasion, it's rather expensive
  • The X-S1 is an impressive superzoom, though it's not quite the perfect machine. It's a recommended piece of kit as there's nothing else like it out there, and it gives the superzoom market the kick it needs. But then at £700 it is expensive, the overal...

 
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(89%)
 
  Published: 2011-11-24, review by: Neocamera.com

  • Mechanical ultrawide to super telephoto lens, Stellar dynamic range, Reliable metering, Low image noise, Good lens sharpness, Very low distortion, Impervious to chromatic aberrations, Quick autofocus system, Short shutterlag, Generally responsive, Respons
  • Poor whitebalance in artificial light, Weak EyeStart sensor, Poor preview coverage, Not ExposurePriority, Wrong LiveHistogram, Limited shutterspeed above base ISO, Strange occasional bloomingA firmware update is in the works for the same problem with the
  • The Fuji X-S1 is an extremely versatile digital camera packed with features and built around a relatively large EXR CMOS sensor which gives low image noise for its class and top-notch dynamic-range. Its mechanical 26X optical zoom lens with stabilization ...

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(80%)
 
  Published: 2011-01-01, review by: tipa.com

  • Abstract:  Fujifilm has been a pioneer in superzoom (bridge) cameras and their experience paid off throughout the design of the X-S1. This model offers the ergonomics and features of a full-featured DSLR with the convenience of an integral lens. The camera offer...

 
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  Published: 2014-05-26, review by: avhub.com.au

  • Abstract:  Confession time. I've never really liked the superzoom or ultrazoom type cameras. The so-called ‘bridge cameras' from the late 1980s were all pretty awful in the end – which is why the whole concept was short-lived back then – and today's digital models ...

 
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